From Jab We Met (2007) to Rockstar (2011), and Tamasha (2015) to Highway (2014), he often has shown romance as a journey.
Imtiaz Ali, best known for his romantic comedies Jab We Met (2007) and Love Aaj Kal (2009), and the dramas Rockstar (2011), Tamasha (2015) and more, is not just a filmmaker but a cartographer of the human heart. On his 54th birthday on June 16 this year, it would not be wrong to say that he has managed to carve a niche in Bollywood's crowded romantic genre with his unconventional love stories. With his films, he explores themes of love, loss, and self-discovery, and his lead characters do not just fall in love but they evolve through it.
From Jab We Met (2007) to Rockstar (2011), and Tamasha (2015) to Highway (2014), he often has shown romance as a journey, which is messy and ultimately transformative.
In Imtiaz Ali’s films, his protagonists do not find closure through romance alone but they also end up confronting their own inner conflicts. For instance, in Tamasha, it’s a love story between Ved (Ranbir Kapoor) and Tara (Deepika Padukone). But deep down it is Ved's journey toward self-acceptance. In Rockstar, he shows the audience a raw journey with Janardhan/Jordan (Ranbir Kapoor), and how his love for Heer (Nargis Fakhri) leads him towards creativity, and existential crisis. With love and loss, he truly becomes who he is.
In his films, love is not just a turning point but a way that his characters are reshaped. Take for instance Highway where Veera (Alia Bhatt) is kidnapped, but she eventually breaks away from her privileged yet suffocating life towards a life of freedom and emotional healing. He often suggests how we sometimes gain by losing what we hold dear, be it a person, or an identity.
He often explores the motif of travel—be it literal road trips or emotional quest. In fact, the movement in his films shows inner metamorphosis. From the highways in Highway, to the European locales in Tamasha, or the stations in Jab We Met, he swiftly moves towards the protagonists’ internal states.
In Jab We Met, Geet’s (Kareena Kapoor) infectious energy gives way to introspection after she witnesses a heartbreak, and it mirrors Aditya’s (Shahid Kapoor) move from depression to rejuvenation. Their physical movement also shows their emotional growth.
Nonetheless, he shows how love is less about the union of two people, but more about a transformative journey of individual lives. His lead characters are flawed and vulnerable, and they are nowhere close to perfect heroes and heroines. He has inculcated the idea of emotional realism in mainstream Indian cinema by blending love with existential growth.
